Ron Goodwin

[…]irlpool. And he said, I've spoke to him about you, and he liked to talk to you about doing the music for this film. I don't quite know why the script writer was able to make the decision, but he must have had some kind of other influence in being the script writer, you know. Anyway, we went to see h[…]

Mike Hodges

[…]nbsp;And the text was actually put on transparent film was it?Mike Hodges  20:36  No, it was put onto paper, massive, but a big massive typewriter, which we didn't type actually. But it was typed in the office, we go out with a script, and then it was loaded onto a prompter and there were […]

Jill Balcon (Day-Lewis)

[…] relying on Sydney Gilliat's account, Sydney as I say was was brought over by your father from Shepherds Bush, where reluctantly he'd been made not a writer but an associate producer and he wanted to get back to writing so he was very happy to come in on "Yank at Oxford". But there was something, th[…]
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