[…]ither creative or production terms, or in managerial terms, Jeremy’s work, but it was certainly an inspiration and later again I worked with him as a writer: we jointly wrote the book on the Cold War series. Well actually there are 24 chapters in the book, I wrote 23 of them and Jeremy wrote one but[…]
[…]s much more serious than that.DT: [Alan] Yentob?CJ: Yes, thank you. Clearly you knew it. Well he was the – 4 hours 10 minutesMW: Oh yeah. Script writer. CJ: See BFI wanted to extend their Fellowships to [Alan] Yentob and [Lynda] La Plante was it?CJ: And someone else, some pe[…]
[…]sure enough, there was the speaker will stand at the bottles tank. I fished it out. Got it standing up, right and Simon Kay was the sound cannon writer on that picture. And I said Simon, there's not one went in the water when I can come out. Can you just go over and see if it's working right? S[…]
[…] earlier television programs.And that raises a lot of other issues in terms of what it is because you now have to pay the.actors a repeat fee pay the writers and all that. So that. we were just showing film clips from the Cruel Sea or something you know pay the distributor. If it was a television dr[…]
[…]ndon Women’s Film Group?Yah. Mm.And that... What kind of experience was that?Well it was interesting because they had different, they didn’t have one writer, theyhad people writing one section and then, somebody else writing another section. So it was a bit haphazard. But, it, it, I mean, we did it.[…]
[…]tion at the moment, I want to see you”. So I said ‘oh yes’. Anyway, I made an appointment, I went to see him. He expects to see a sort-of middle-aged writer, and he got this (by then) 17-year old schoolboy. And er (laughing) he said….oh, ex-schoolboy. And he said “you wrote these?” and I said yes, ([…]
