[…]retary in the publicity department. Yes, general dogs body, that's right. And we had unit publicists. Then one of them was Norman Hudis, who became a writer. I think he actually wrote... or was involved in some of those comedies at Pinewood, I'm not sure. I think he did do. I was just trying to thin[…]
[…]titude particularly, coming from Oxford, was very open and pragmatic. And one would certainly admit, as one does now that there are films,which are a writer's films, there are films which are designer's films, there are films that are a co-operative work. In other words every film really has to be c[…]
BEHP 0167T Johnny Speight Transcript JOHNNY SPEIGHT Scriptwriter Interviewed by Norman Swallow with Alan Lawson, recorded on 26 November 1990. The copyright of this recording is vested in the ACTT History Project SIDE 1, TAPE 1 Alan Lawson: First of all when and where were you born Johnny Speight: C[…]
[…] one does now that there are films, which are a writer's films, there are films which are designer's films, there […]
[…]written by Wolf Mankowitz and it was about three hundred - four hundred pages it was ludicrous - and -er - Charlie Feldman said “Bring in a couple of writers and lick this thing in to shape”00:30:17So I brought in John Law from the BBC with whom I’d worked on 'It’s A Square World' - Michael Bentine […]
BECTU History Project Interview with ROY FOWLER – producer, director, writerInterview Date(s):13 June 2000Interview number:479Interviewers: Rodney Giesler Side 1Rodney Giesler:This is an interview with Roy Fowler recorded by Rodney Giesler on the 13 June 2000 for the BECTU oral history arc[…]
