[…]y, I mean the requirements were not enormous, and of course the graphics department was nothing like established, I think there were a couple of sign writers, so you did all the graphics for them as well and charts. And I remember doing star charts of the night sky for, oh god the names do go, the b[…]
[…] edited a film that John Krish made called The Elephant will never Forget. He was an editor for years and years.Rodney Giesler: I think he was also a writer because he wasn't in the cutting room.John Legard: We're talking about late 50's?Rodney Giesler: 55, 56. Also I mustn't forget. Cardin's was ru[…]
[…] it happened.And another person of my acquaintance had come to Britain, Alfred Zeisler, an American who worked in Berlin at UFA, and I was his script writer. And he was the first person engaged by a new firm called and Clement and Garrett, and made one movie here, The Amazing Quest Of Mr [Ernest] Bl[…]
[…]Director, I am 71 now and I am not a Director. I suppose, I started then and havesince then worked through people who are producers and directors and writers rather than standingon the floor and doing it myself but I have always wanted a very close involvement, part of a team,not so much hands on bu[…]
[…]ven when Beasley came back, Harry Tate was still having us both going on and off. I remember one of my, the famous lines there, there was a gag writer called Walt Pink who used to write in, this was during the war …ALAN LAWSON: Yes, the ‘14-‘18 war?HARRY MILLER: Yes, and he used to write gags […]
[…] that’s right. And Bill Craig, who was a very good writer who’s sadly not, no longer with us, had done […]
[…] yes… and it was a story written by a famous writer of, of hors ey stories. I would, I can’t […]
[…] and years. Rodney Giesler: I think he was also a writer because he wasn't in the cutting room. John Legard: […]
[…] bad feature film and then went to Hollywood to be writer but I feel there was such talent, such promise […]
[…]n. GG: Right. It was on actually at The Young Vic, but it was still actually part of it. I’d always written, but you know what it’s like being a writer you think ‘oh, nobody’s going to do it’ and I wrote this play called Four to One and gave it to a friend of mine, Sebastian, who then put it in[…]
