[…]e I was interested in, in, you know, I’d learnt an awful lot being a PA.Mm. A PA in those days was in fact the director’s assistant, not behind a typewriter but actually in organising filming, doing the studio floor, helping with casting, and I was Jim McTaggart’s PA for about two years so I learnt […]
[…]ct at Gaumont BritishCB: No I don’t remember him. Was nationality was he?
14 Victor Saville (1895-1979) was an English director, producer and screenwriter. His films included Dark Journey (1937) and The Silver Chalice (1954)15 Edwin Greenwood (1895-1939) was a British screenwriter and film directo[…]
[…]metre. That's how my interest started. I've got two sisters, Sarah and Vanessa, who, who one of them still is an actress. And Vanessa is now become a writer and a television presenter, and a brother who's a painter. I tried to persuade them all to get into sort of home movies. And that's really wher[…]
[…]..John Legard: I'm going to have to stop you - John, who's John?Hugh Stewart: John Dighton, I beg your pardon, John Dighton, sorry, John Dighton, the writer. And he had also been at Cambridge, although I didn't know him there. So we got on together very well, because he'd got this marvellous sense o[…]
[…]ed 'Independent Producers and Distributors' - he was a Russian.Sidney Cole: Not Sir Gaylord Randolph [Gaynor Bancock?][??]Kay Mander: No, no he was a writer, old Randolph.Sidney Cole: Well, writer and director, but he was a Russian.Kay Mander: No, no, no. This was a big Russian in Wardour Street, an[…]
[…]he picture starts on the monday is going to give a party on Saturday. So we all assemble at the hotel. They'll. Have this lovely party and he's got a writer out their whom we didn't know much about them. Who. But you. Everyone knows them was Truman Capote Truman suddenly arrives out of resella[…]
[…] I beg your pardon, John Dighton, sorry, John Dighton, the writer. And he had also been at Cambridge, although I […]
[…] very much of an appearance. He was Mickey's co - writer but didn't really figure in production. Roy Fowler: Right, […]
