[…]of the rushes and Vera took the other half and I joined them up and the rushes were to be at 7 o'clock in the evening then, and there was an American cameraman, American producer and everyone sat round in theatre, and it all started off well and suddenly it came upside down because I joined the othe[…]
[…]ork amicably unless we work co-operatively and that's what we managed to do. And I mean this question of mic shadows was extremely difficult for, for cameraman and I had no hesitation in doing everything I possibly could to, to avoid them as much as possible. And that's why when Dick said he was tro[…]
[…] I had two weeks sho oting. They gave me a cameraman who I won’t name, who’d worked at MGM in […]
[…] make-up men, German cameramen, and in this case a French Cameraman. American directors, hoping that they would get a bit […]
[…] o'clock in the evening then, and there was an American cameraman, American producer and everyone sat round in theatre, and […]
[…] and not only between people. I recently met a wildlife cameraman who shot many beautiful scenes for David Attenborough’s BBC […]
[…]you know, in those days, you had to get the numbers. It was like horse racing. I had to get the numbers of who'd come first, second and third, so the cameraman could pick them out, because they couldn't see. And you just had to be terribly aware and be able to tell the cameramen terribly quickly wha[…]
[…]ight, electricians eight and they 10 down from mo Richardson and a huge truck and they jumped out in tracksuits virtually, I think David Whitson, the cameraman, we looked at each other, and we said, what do we do? What do we do? But they were very kind. And I think I was learning all the time, becau[…]
[…]what did, what was your, what were your first impressions of the film studio and about the shooting and the other people, cam..., cam..., who was the cameraman for example?Yes, the, well the cameraman was Jack Cardiff. And the, the, no I correct that, Mutz Greenbaum was the sort of big, big chief, J[…]
