[…]ident that was a that was the camera was mounted on a raft on the Zambezi and was tethered by literally got a photograph by two ropes. Basically, our cameraman was on there and Tony was on there. And the RAF became untethered. Basically in your head they had to events, you know, try and rescue the c[…]
[…]f flash pots. And that was it. We tended to always put the new people in because if they messed it up, let's say didn't really matter, was number one cameraman saying to if I, if I'm on a drama, and I, they come up to me, and I'm zooming and I'm still scanning, and I'm not in focus, I get my wrist s[…]
[…]because we were in the house. So it is you are in closer contact. But I got on very well with the production. The continuity, girl de Vaughn. And the cameraman, I think was called Taylor. And they ultimately married I mean, he had been married, but they did marry. And as far as I know, but I don't I[…]
[…]'t taken up. We were very dignified then, and he recognised anybody else, let me see. Oh, yeah, sure. That's sitting down. Is Ed du pare, camera man? Cameraman, yes, that is, can't remember his name. He was a chief electrician. I think Frank Murphy, is that right? Murphy? Yes, I think that's Frank M[…]
[…]an we think of light in its purity but in fact it’s what is reflected and it’s the reflected light that’s the important thing if you’re a documentary cameraman and you realise that the complexity of reflected light is something that you could capture in the cinema film. I’m not explaining it well bu[…]
[…] forget the other ones, there was the one who went to London, I can't remember his name. I: David Bell? R: No, David Bell was, of course, a cameraman. Originally I did the Stanley Baxter shows with him and David Bell and Bruce McClure, these were all characters who worked for STV. I'm tryi[…]
[…]le along with the creepy PP! I: A Racks Engineer is the one who actually controlled the picture quality? R: Ah ha. I: Oh right. So the cameraman didn't set up the Pictures in those days. It was the Racks Engineer. R: That's right. Of course I don't know now but as alert, it was s[…]
[…]m, cause there was some beautiful footage of 1930s Hollywood in that, a collection that was shot on 35mm. It was a, Elmer Dyer, I think he was a 35mm cameraman in Hollywood and in his spare time, would go and film Hollywood and we, we, it was absolutely beautiful 24 material. I mean, that […]
[…]d a television series, can’t remember its name, and I was playing a character anyway who had to get out of bed at one time and go over there, and the cameraman kept on saying “Well I can see your knickers”, so I said “Well okay, let’s take ‘em off then.” So we did that. Not that I’m particularly pro[…]
