Laura Mulvey

[…]that included people from the London Film Makers Co-op, what you might call the most extreme of artists’ films, artisanal film, right the way through documentary, workshops, Lucia Films, and right the way through to people who are beginning to work on these new experimental type fictions which weren[…]

John Wiles

 This transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretati[…]

Ron Goodwin

[…]new that I wanted to write music for films, and she spoke to her father about this. And one day she came in and said, Oh, Daddy says they're making a documentary about an oil refinery in corinton, and they'd like you to go and see him about it, you know. So I went along and saw him, and that was my […]

Mike Hodges

[…]on itself, even though... and Lloyd Shirley of course, played a major role in my life ultimately, because he then went on within ABC to take over the documentary and, and features department and then eventually he moved on to, to drama. And because he was a Canadian, he was very experienced. He'd be[…]

John Turner

[…]the newsreel things, because in 1970 Path closed. I don't know, I think it was a great mistake to close Path at that time, they had a very successful documentary side, a very successful commercial side, television and things like that, making commercials. But the chap who took over that side of the […]

Christopher Miles

[…]considerably.Rodney Giesler  18:47  Did you have the crew for foreign forms?Christopher Miles  18:49  Yes. Yes. Well, it wasn't a documentary there. It was it was a theatrical short. And I think that's very onerous on a young person starting out, you know, which doesn't happen to[…]

Charles W. Smith

[…]ided to look for a job, and I worked for a while in a Fleet Street press agency, supplying photographs to newspapers. And then I was offered a job in documentary films.  INTERVIEWER: Do you remember what company it was? CHARLES SMITH: Yes, of course. It was with a small cooperative un[…]

Anne V Coates

[…]n’t remember. Lost. Lost. Something called Mongongo[ph], which sounds like Renown. Well no, that wasn’t actually. That was a kind of semi-documentary, and I did that after Lost. Lost I did, and, at the time of Lost I was in... That was Guy Green. I was engaged to a boy who lived up in Ch[…]
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