[…]len and himself. Tiger Reeve, Ken Reeve, other cameraman, upgrade myself to operator and eventually to cameraman, but found that working with a small documentary company was never going to I might make the staff grade, but it would be a long time with a lot of sitting tenants. And so I went freelanc[…]
[…]at led to an interest in film and shooting little 16mm films. And then my elder sister married a man called Harold Lowenstein, who's still working in documentary I think. And although the marriage didn't work, my relationship with Harold has always been a very happy one. And he was a wonderful perso[…]
[…]d have been in probably 47 or 48, that sort of thing. That was my first big assignment. And then I was assigned to looking after the labs, shorts and documentary, stills camera thing which I loathed.A Why was that?Q I just didn’t like them, they were so silly people - up here, terrible. Anyway,[…]
[…] I went along. I remember we recruited somebody from a documentary unit called Seven Leag ues[viii]who had already been working, […]
[…]ntually, I learnt as I went along, because nobody really took the time to teach me, I learnt as I went along. I remember we recruited somebody from a documentary unit called Seven Leagues[viii]who had already been working, a young girl, Ruth, I cant remember her first name, er her second name, who h[…]
[…] later because I got very interested in T. Lawrence, then, and although he played a very small part in that film, I eventually did an hour-and-a-half documentary for ‘Omnibus’ on him and co-author of a book with Malcom Brown on T. Lawrence. So, that’s when my interest started there.Anyway ‘The[…]
[…] may not be allowed.The copyright of this recording is vested in the ACTT history project. Sara de Normanville, professionally known as Sara Erulkar, documentary film director. Interviewer John Taylor. Recorded on the twenty-eighth of February 1991, with interjections by her husband, Peter (PdN). Si[…]
