[…] there was an awful lot of loss when he he died, because he wasn't a nice person, but we did. So that was my introduction to footsteps. Now the sound editor on that film in. Was Howard Lanning. And the next film that came in for footstepping was my introduction to Michael winner, and that was the ga[…]
[…]lly stepped up? Drama? Yeah, I remember. I remember that because I'd worked with Nigel Finch, who was like a producer of arena. I think he was the CO editor of arena. I did a few weeks with Nigel. And he recommended me to Ruth Caleb, who was quite senior producerUnknown Speaker 17:31 at […]
[…]Speaker 21:33 How did it happen?Speaker 2 21:38 Well, I remember the the guy that taught me quite a lot about all that was an editor called Cliff boot. And not Jeff foot, but Cliff boot. Now, I don't know if Cliff boot still alive, or where he is, or I totally lost touch with[…]
[…]an: Well I think 'World in Action' has been a tremendous struggle for the peoplemaking it. Since Tim Hewat, it has had a succession of brave and bold editors including RayFitzwalter. World in Action puts more strain on a company management than any other programme.I had more problems with World in A[…]
[…] went and Terry Ashwood took over from Cummins, as the editor, and I got on very well with him. John […]
[…] good. There was a woman who was married to the editor of a famous national paper. I can't remember any […]
[…] made so many bad mistakes in conti- nuity that the editor had had to put the thing together in a […]
[…] talked about the biggest apart from British Steel. Ray Fitzwalter, Editor of the Bradford Argus , fitst got the Poulson […]
[…]t Affairs. Normally speaking for a couple of years, so again, your experience was terrific, and I was taken out to lunch, it was very bizarre, by the editor of Panorama at that stage, who was called Frank Smith, and I thought this was a bit odd. So, he took me to a very nice restaurant, Bayswater an[…]
