[…]then I did things like go to the Highland Show and follow the Queen Mother round about and write cover/colour pieces on that so I became the Features Editor very quickly at the Scottish Farmer. I stayed there for two years and felt, was well aware that it was quite a restricted place to be so I cast[…]
[…]he periphery.Martin Spence 1:42:57 And working with other people, I mean, do you have regular, you talked about some of the commissioning editors and producers you've worked with, are there regular collaborators. I mean, at whatever level, whether we're talking about producers, or writer[…]
[…]ore creative side and I did want to get into the cutting rooms. And then aftera few years there was a vacancy you can order Manchester from assistant editor on staff. So I applied for that and I did. And when I got there I was only there for two 2 1/2 years and I could see that I was never going to […]
[…]rnational organisation devoted to animal welfare and conservation.[99] Bloody Ivory (1978) was nominated for Best Documentary Programme and Best Film Editor at the 1980 BAFTA Awards. Bill Travers is uncredited in the film’s entry on the Internet Movie Database.[100] Sir Ian Holm (b. 1931) is an Engl[…]
[…]p;1:22:56 business. Oh, yes, it was it was tough. But then the man that was put an accountant was put in for the debtors for the for the creditors. And the it was rather a nice young man. I forgotten his name now. But he said, Look, he said, we've got the camera. We've got a lot of negati[…]
[…]on, we must end on humanity. Light is only there. when man sees that other pompous and prolific remarks. Anyway, John was producer, John was also the editor in chief, John also actually owned the bloody stuff at the cutting room. So effect me daughter was left out. And I was on some other film, John[…]
