[…]ry exciting, but I've managed to make it exciting in my own little world. And when there wasn't anything going on in the dubbing theatre, some of the editors would ask me to help file their trims, which is usually just emptying the big bin of stuff that has been thrown there and try to wind it up ca[…]
[…] of British TV Documentaries: A Diary of Decline, by a film editor – Simon Rose 2014 With his unique perspective of 50 […]
[…]imon rose Date of Birth second, the third 1946 work mainly in television What else do you want to know? What areas and mostly sorry, mostly as a film editor? Although not entirely.Ian Noah 0:49 And was this for documentaries orSimon Rose 0:51 Yes. Again, mostly documentaries,[…]
[…]roduct of steel girders without any commentary, only with music. It was an interesting experiment.Unknown Speaker 4:39 Powell had been an editor himself,Speaker 2 4:42 yes, and he did a number of very good documentary films. David, for instance, about a Welsh manner. And he t[…]
[…] Graham, Rodney Giesler Interviewee: Sidney Cole [Sidney Cole, producer, director, editor, ACTT pioneer, ACTT activist.] Tape 1 Side 1 Alan […]
SIDNEY COLE, producer, director, editor, ACT pioneer, ACTT activist interviewed by Alan Lawsonc ACTT History Project 1987Tape 1 Side 1AL : Where and when viere you born?SC : I was born in Oakley St., Kennington not very far according to one report from where Charlie Chaplin was born. If the win[…]
[…]cular people with whom you work within the longer associations I'm thinking of, you know, did you have cameramen within the window number of jobs are editors for example. Derek Williams 24:12I worked with a number of cameramen. But Maurice Pico is especially associated with my films. Jame[…]
[…] recording.Tape 1 Side A.The copyright of this recording is vested in The BECTU History Project. Vivienne Collins, nee Knight, film librarian, film creditor, documentaries, interviewer John Legard with Alan Lawson, recorded on the 30th of January 1997. Side One.AL: We’re away. Right running.Fir[…]
[…]they differ from present day techniques.WR: Yes. I will come to that when I started dubbing, I think.[30.00mins] There was a tradition at Ealing that editors never seemed to be ready with the stuff to dub until after supper. With this going on, I never quite understood the system; and they had an Am[…]
