[…]tting rooms with Gaumont-British Instructional, on the top floor of Lime Grove. And I made all the mistakes that you do when you're training to be an editor. Dropping the centre out of a roll of film and thinking all you've got to do is to rewind it, and ending up with the whole staff stretched down[…]
[…] about doing this? And he said, Well, you know, you're not . You've led a very quiet life and didn't think you're quite the sort Yeah, he was a panel Editor of Current Affairs, I think, or Head of Current Affairs was he No anorama to begin with. Yes, he was. Yeah, well, he was either Panorama or the[…]
[…]e'd done his job unless he made me cry!Erica Masters: It was in the cutting room that there was a very unpleasant woman who was above me, who was the editor. She made me cry because she would come in at about eleven o'clock in the morning - I had been there since eight thirty, and then she would go […]
[…] called Sunday In The Park which was a dreadfully facetious piece of work which we made on 16mm, staging many scenes. And a friend of mine who was an editor who I've subsequently worked with, Dick Marden had a producer friend who saw it, James Laurie his name was. He said I've got a friend at the BB[…]
[…]bsp;pounds a year which I mentioned on the last tape and Don Smith was the editor. And then as Taylor was the other cameraman and turned into Lebanese I wa[…]
[…]es who don't know how to do the other side. Because it is easy to do news and current affairs, very easy to do it, you just keep booking people to be editors. Reporting news is just what it says it is, isn't it, you go out and you find out and you take whatever the news is. And it depends what, if t[…]
[…], full symphony orchestra which would go with a commentary which Flaherty himself read which was written by Russell Lord. And I can only say that the editor Helen van Dongan did a miraculous job I've never heard anything so good, the way she managed to mix this symphony orchestra with speech.JS: You[…]
