[…]ught he was good but I didn't think he was all that good but he got good afterwards, I believe, very good.Fowler/Lawson: Now then, let's go onto editors, you know, who've come and...Bill Girdlestone: Well, you know I'm an honorary member. They made me an honorary member, I'm the only one a[…]
[…] Jim Shields: Burns Red! [Chuckles] Maurice Askew: [Chuckles] Brilliant dubbing editor. Jim Shields: Ex Naval man, of course. Maurice Askew: […]
[…] script The Seventh Veil (1945) and later became the scenario editor at Gainsborough Studios. She directed her first feature film, […]
[…] you ever work with David Lean when he was an editor? Bill Girdlestone: No. Isn't that funny. When you were […]
[…] industries from the 1930s to the 1980s. He was an editor and a producer, in both drama and documentary, and […]
[…]e telecine department probably numbered about thirty people per shift all told. Video tape was considerably larger because you included all the video editors and people, so that was about sixty or seventy people to a shift. That was a much bigger department in those days but, still, there was about […]
[…]tion of their revenues in exchange for being allowed to sell the airtime on Channel 4. So the separation between the financial responsibility and the editorial responsibility gave the new channel terrific freedom. And the third thing it had that was lucky was a Chief Executive who was really absolut[…]
[…]n in the lift from the top of the tower at Alexandra Palace forthe morning news meeting when I was confronted by an enormous New Zealander who was theeditor of News called Taho Hole. He was a big man and he was a nice man actually. He said'you are out John?' and I said ‘what do you mean out?'. He sa[…]
[…] also blast you out of the room up there.AL What about in the dubbing theatre, I know it can become very tense at times, the relationship between the editor, tracklayers, directors, maybe even producers…GH Yes. There are only two people I can honestly say I have fallen out with in over 270 fil[…]
