Search Results for: editor documentary

[…]because I wouldn’t have known technically where you have to look.We had a very difficult scene, one of the dreaded scenes, where you have to have the editor on the floor with you all the time, I can't remember which film it was in now, but it was practically circular table, and it was who looks came[…]

[…]s very easy because everything since my breakthrough in Mother Courage, on film, everything on television is now on film, or made for film, with some editor editing all the good bits together. One couldn't do that while it was live. One had to rehearse outside the studio without cameras for three we[…]

[…]the way the scene should go, on coming to the rushes. Everyday she'd come and insist on seeing the rushes. And she did, and I sat at the back with my editor and I thought, "What the hell is she going to do this time?" She always used to sit in the front, and she came running up the steps to me after[…]

[…] for them. Industrial films you could get trade union sponsorship. Spanish films - and the progressive film-makers were most of them enthusiastic for documentary film - they knew that they could give an authenticity, and it would commend itself to the public, so far as scenes were not staged. So the[…]

[…] thirteen years ago, Mike Custer [ph 31:41] was arts features editor. SF: Yes, indeed he was. And he walked in, […]

[…] and turned it upside down at the end, so the editor knew which was the start, which was the finish, […]

[…] experience as a camera operator, sound recordist, art director and editor. He also became adept in the use of special […]

[…] a bit annoyed when good old ACTT said that film editors in animation aren't paid the right rate. Well, that's […]