[…]next thing we knew, everybody was coming into this unit. So instead of being a one man Film Unit, there I was surrounded by Carol Reed, Ray Pitt, the editor, Thorold Dickinson of course, and all sorts of people Tilly Day, Angela Martelli, Tubby of course was there, and Peter Ustinov. He used to come[…]
[…]ided to look for a job, and I worked for a while in a Fleet Street press agency, supplying photographs to newspapers. And then I was offered a job in documentary films. INTERVIEWER: Do you remember what company it was? CHARLES SMITH: Yes, of course. It was with a small cooperative un[…]
[…]oundtracks recording and all those sort of things and naturally they don't know you're new to the job or not. You know when you talk to produce or an editor. And you have to sort of feel your way it was a bit rough at first. And I began to wonder whether I had you know done the right thing. But I th[…]
[…]the film Ann Todd. Can I say that or not? Just come to my mind the female star lead was Ann ToddAlbert Critoph 7:22 one of our film editors we had there by the name of Kath Miller, been there quite a number of years. Just a little while along from the studio, there was a new pub be[…]
[…]ost live action sound is done afterwards and stuck on. With us it weren't like that, that's why I was a bit annoyed when good old ACTT said that film editors in animation aren't paid the right rate. Well, that's because nobody seemed to know that they didn't do the same work as live action. They cer[…]
[…] : Let's talk about some of those films that did go through. 'Great Expectations' you dubbed with David...Gordon McCallum : Wyn Ryder was the dubbing editor.Alan Lawson : Yes.Gordon McCallum : And I worked with him many, many times.Alan Lawson : Right, yes. How was David in the theatre with you?Gord[…]
