[…]his plays be shot word for word, comma for comma and he worked on the screenplays. There was a woman called Marjorie Dean who was kind of script editor and she would put it into some kind of cinematographic language and in those days the scripts were broken down into shots, shot by shot in extr[…]
[…]from the script what the end product was going to look like. And I imagine it must have been, well, obviously, it was an interesting exercise for the editors getting that right, but did it present you with any problems – all that slow motion stuff – perhaps it didn’t?DW: No, well one of the things t[…]
[…]you get on with it. He's not a technical. No, no, no,Gerry Anstiss 32:48 technically, if he if he's not sure of anything, he calls in his editor. You know. I mean, IAlan Lawson 32:56 mean, there's quite a few directors that I've worked with who, whose whole attitude was that […]
