[…] seem to remember? Pat Jackson: That's right! Marvellous cutter! Marvellous editor! And then, um... I'd previously been joining for Cavalcanti, […]
[…]: that was the image that came out of the film records, so we had an imbalance in the material we were using to make that series, that we then had to editorially try and balance out and find a way of making a far more even-handed story. In fact, the series went on and won an Emmy in America – a docu[…]
[…]ningham, the production manager at London Film Studios, who interviewed me and said, yes, they might be prepared to take me on as a trainee assistant editor at a salary of two pounds 10 a week, which was absolutely riches beyond me, very good in those days. Needless to say, the film never came off o[…]
[…] he was just fantastic. And he really was a commissioning editor who would fight our corner. He would go in […]
[…] just on the ball, were we just politically more aware than other people? But it got very very frustrating at times, because we’d go to commissioning editors and we’d say, ‘Look, there’s this issue that’s boiling and burning up, but it’s not right at the front of the agenda. Can we make a film about[…]
[…]se as a freelance journalist he he got to know them and dealt with them when they came to England, particularly Schweitzer. And then my father became editor of a Quaker weekly paper, "The Friend" in the early thirties and continued until just before he died 20 years later. But, education at this Qua[…]
[…] vested in the ACTT history project we're interviewing Francis Cockburn I spell the name C O C K B U R N, who started life in the film industry as an editor became a producer and finally information officer interviewer is Margaret Thompson the date is the 16th of March 1990 side one.So, Frances tell[…]
[…] of another lady on com m ittee was an Assistant Editor at Shepperton … 32:30 … chap called Tony Searle. […]