Search Results for: editor documentary

Interview with Lusia Krakowska Lusia Krakowska, Film Editor Interviewer Roy Fowler Recorded on the 23 rdJanuary 1998 Side One: RF […]

[…]ublin and up there? Or did you edit it?Paddy Carey  35:25  It was a bit half and half. I mean, it was obviously essential that I had a good editor. Yeah, right. And I got an check wooden, who was very good indeed. I mean, really, she made the film, you know, I mean, she says herself, you k[…]

[…] was the producer, the director, the writer, the cameraman, the editor, and I was the assistant producer, assistant director , […]

The copyright of this interview lies with the \british Entertainment History Project Interview with Lusia KrakowskaLusia Krakowska, Film Editor Interviewer Roy FowlerRecorded on the 23rdJanuary 1998Side One:RF: The date is 23rdJanuary 1998 and we're recording Lusia Krakowska, that is L-U-S-I-A […]

Dallas Bower Side 1Alan Lawson  00:02Dallas Bower: producer, television director, television producer, sound recordist, film editor, drama producer.  Dallas, when and where were you born?Dallas Bower  00:19Kensington Hall Gardens, London 1907.Alan Lawson  00:2[…]

[…]e going back to college and David Graham said: ‘You can do what ever job you want to do. Downstairs there are two video cameras; sound’ obviously the editors had to be editors but he said: ‘basically if you think you can produce straight away then I’m interested.’ And I looked at all of this and som[…]

[…]ally quite distinguished chaps. And I said that look. net. And I think apropos of that, I should read this letter from John Kringle who was, I think, editor, the Listener at some stage. Yes, when he wrote to me, would you forgive a suggestion from someone who not only knows the BBC, but has intervie[…]

[…]because the film was made literally. Once they started shooting, the film was made in 10 days with two units. We were working in denim labs, with two editors, McAllister and macaron. jackley. And Harry did one part of the film and Humphrey Jennings to the other part of the film. And we had two edges[…]