BEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for[…]
[…]ng films you’ve done over the past few years, that 's industrial films, which is how you first met John Cleese, tell me about those industrial films, management films.CC: The whole point of them, Video Arts is that they conceived this idea that you can teach more easily by being amusing than raming […]
BEHP 0:00 We're in the theatre five at Pinewood at the date is the 25th, Tuesday the 25th of October 1988. And we're going to go through the basic questionairre first, and then hopefully, if we don't get out all the bits and pieces we want from the, we'll go over to the more specialised […]
[…] was sixty-three, because I was happy to stay on, the management consultants walked in [laughs]. Oh dear, they're a menace, […]
[…] and there was hell to pay! They went to the management and they said, "We can't have this! This man […]
[…] nameless, actually posted a notice to the effect that the management would view with displeasure any employees joining a union […]
[…] no ill-feeling. Castleton- Knight RF: Was there a barrier between management and staff, how did you call him? 0:11:32 TC: […]
Time Code 00:00:00:00 to 00:45:46:00 Ossie Morris Side 1 I worked I worked on was the Morris lighting camera and […]
Martin Spence’s Mem & Arts review for discussion at Management Meeting on 14 June
