Pamela Mann Francis Side 1Alan Lawson 0:00 The copyright of this recording is vested in the BECTU History Project. Pamela Mann, later to become Pamela Mann Francis, feature film continuity; interviewer Alan Lawson, recorded on the sixth of January 1994 side one, the original st[…]
BECTU History ProjectInterview no: 201Interviewee: June Randall (Continuity/Script Superviser) Interviewer: Manny Yospa (1) / Len Harris (2)Date of Interview: 24 May 1991Duration: 00:40:24June Randall Page 11: This is the ACTT History Project, which owns the copyright of this recording. It is t[…]
[…]n which we would build. And he then drew a series of boxes in different coloured chalks on the board with lines going to them, which was the board of management and the board of this that and the other, which was all Greek to us, I mean all we wanted to do was go up there into the studios. And Royst[…]
BECTU History Project - Interview No. 177 [Copyright BECTU] Transcription Date: ???Interview Date: 1991-01-16 Interviewer: Sidney ColeInterviewee: Muriel Box Tape 1, Side 1Sidney Cole : It's great to be here recording you because we've both (Alan and I) read that fascinatin[…]
BECTU History ProjectInterview no: 176Interviewee: Cynthia MoodyInterviewer: Margaret Thomson (1)/Manny Yospa (2) Duration: 02:01:50 COPYRIGHT: No use may be made of any interview material without the permission of the BECTU History Project (http://www.histor[…]
Tony Bridgewater Side 1 Alan Lawson 0:03 The copyright of this recording is vested in the ACTT History Project. Tony Bridgewater, senior BBC Television engineer, pioneer television engineer. Interviewer, Norman Swallow, and Alan Lawson recorded on the 28th of June 19[…]
[…]d they give you … ? JG They had a training course, there was a terrific guy there caled John Borwick, um, who was their chief trainer, on studio management in particular, I mean he was sort of brilliant and he took us, I think there were three of us in a course at the time, three or four, I thi[…]
[…]re all sponsored by the Minister of Agriculture. And Realist seemed to have a sort of monopoly doing their films. There were three films on grassland management, because grass suddenly became frightfully important to keep the dairy industry going and not use up cattle cake and stuff I expect. We had[…]
This material is the copyright of the ACTT History Project, Daphne Anstey widow of Edgar, editor with the National Film Board of Canada under her maiden name, Lily, interviewers JohnLegard [JL] and Gloria Sachs [GS], recorded in her home, in Hampstead Garden Suburb, 3 May 1989. Recordist Alan […]
