Search Results for: management

[…] done through the sound department but we did urge our managements that something had to be done and that they […]

Timecode 05:28:11:02 to 06:14:18:10 SPEAKER: M1 How much. Side 8 was a Morris side 8. QUESTION Now do you want […]

1 E ric Cross (Lighting Camer aman – DOP) Career in film industry: 1926 to (circa) 1962 Credits include: Christmas […]

[…] the filming, the interviewing, the logging, the transcribing, and the management of the collection. We want to build and add […]

Peter Suschitzky (PS)CinematographerInterviewer: Paul Frith (PF)Date 08/06/2018[01:59:37]PF: OK, thank you Peter for taking part in the interviews today.  This is the voice of Paul Frith on the 8th June 2018. So, if we can start by talking a little bit about where your interest in fil[…]

Paul Collard Laboratories (Kodak, Kays, Soho Images, Ascent Media, Metrocolor) Interviewers: Sarah Street (SS) & Carolyn Rickards (CR) Date: 06/12/2017 Total Length: 01:30:31 [00:00:00 – 00:03:35 General pre-interview conversation]SS: This is our Eastmancolor project int[…]

[…]re precisely defined, everything the archive decides to do with the films once they’re out of the vault. So I’m not, I’m not part of that collections management that, you know, ensure the vaults are working correctly, and so on, although I work with them on policies for keeping and accessing film. B[…]

[…] Richard Schafer introduced the digital intermediate film concept and that did wonders for prolonging the life of film. But ultimately, I think Kodak management had been just trying to keep film going for ever and ever or whatever, but hadn’t really planned the transition to digital even though they[…]

Jimmy Nairn [Start of Recording] [00:00] I: So, this is Jimmy Nairn and we are recording in STV and I'm Tim Amyes and what's the date today? I2: 20th? I: 20th May. R: 19, no, no, no! 2017! I: So, we are just chatting. When did you first get an interest in becoming,[…]