[…]dn’t have any lamps and that down there and he said “We’ll have to do this in the studio Harry”. So Lachman saw all these great big lorries and trailers they were putting these trees on and he says “Harry,” he says “Have that down the studio by Monday morning.” [LAUGHTER] I said “[…]
BECTU History Project - Interview No. 13[Copyright BECTU] Transcription Date:Interview Dates: 6 August 1987 Interviewer: Roy Fowler Interviewee: Peter Tanner, EditorSIDE 1, TAPE 1Roy Fowler: Peter when and where were you born.Peter Tanner: I'm not going to tell you when, but I'll tell you […]
The copyright is vested in the BECTU History Project. Time Code 00:00:00:00 to 00:45:46:00Ossie Morris Side 1 I worked I worked on was the Morris lighting camera and interview laws on this recording is the copyright of this recording is vested in the ACTT history project. Side one. Ozzy.SP[…]
1 The British Entertainment History Project Bulletin number 6 www.historyproject.org.uk March 2021 Dear all, Much had been achieved during the […]
[…] you’ve got the picture there. Then you might have four trailers: widescreen, standard, CinemaScope. For every one, the masking would […]
[…] you’ve got the picture there. Then you might have four trailers: widescreen, standard, CinemaScope. For every one, the masking would […]
[…] war he worked at Welwyn Studios on MOI shorts and trailers, including the ‘Food Flashes’. The first feature film he […]
BILLY WILLIAMS SIDE 5 BLANK SIDE 6, TAPE 3 One of the most relevant things about it, Glenda just after […]
[…] saw three tiny film cans, you know, what we had trailers in. He looked in and of course, no operator, […]
BECTU History Project - Interview No. 13 [Copyright BECTU] Transcription Date: Interview Dates: 6 August 1987 Interviewer: Roy Fowler Interviewee: […]
