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Bill Welch

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Forenames(s): Bill
Family name: Welch
Interview no: 539
Interview date(s): 30 April 1972
Interviewer(s): Lionel Strutt, Jim Shields
Production Media: audio
Duration (mins): 32

SUMMARY: In this interview with Jim Shields he talks about his career creating sound effects for films such as Lawrence of Arabia (1962), Bridge on the River Kwai (1957) and Thunderball (1965). Welsh discusses working with Maurice Askew (dubbing mixer) and discusses the difficulties of working with directors, and the importance of not letting them see how the sounds are produced! Welsh compares the production of sound effects at the Gate Studios involving improvisation with what he calls “my rubbish” with more cumbersome techniques in studios with large props departments, using the actual object displayed on the screen - a method which Welsh suggests often results in a less convincing sound fit.

BIOGRAPHY: Bill Welsh worked from the mid 1950s to the mid 1970s as the props man at the Gate Sound recording studios at Elstree. He worked on a number of the highest profile British productions of the period, including Lawrence of Arabia and several early Bond films.

Disclaimer: The views and opinions expressed by interview participants are personal and do not necessarily reflect the views of the History Project or any of its volunteers, employees or representatives. (See details). Please also see our Takedown Policy.

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