[…]t in May 1948. And during this time, of course, Rock had become British National. And they'd actually closed. So my six months reinstatement was with ABPC at Welywn Garden City.Back in the camera, back in the camera years I came back as a clapper boy.Otto HellerWe did Queen of Spades with Thorold Di[…]
[…]ferent sorts of, on principle...
That’s right, bit by bit he, he picked up the entire British film industry.
Yes. Yah.
With the exception of ABPC.
Yah. But I don’t know that he would have had that much influence creatively on what they were doing. I’m sure he didn’t.
No, several peopl[…]
[…]rold King kept employing mixers who didn’t know anything about it –LH: Was Harold King at National?WR: Yes. He went from National to-LH: [interrupts] ABPC.WR: ABPC. I felt that I knew more about it than they did. Not about the electronics, but then they didn’t know about that anyway, but about recor[…]
[…]m there?I can’t really remember what I did for them. I did a few horror films, a few horror filmsand a few small films, and then I sort of settled at ABPC [Associated British Picture Corporation] as it was then, as their permanent script girl, and did The Saint for two years.The Avengers&n[…]
[…] a series of thirty-nine to do and Monty Berman is in a, he was also the camera man. He’s in a great big office which must have been for some star in ABPC’s earlier days and it had a plinth platform on which a ginormous desk was set. And there was Monty Berman, and Johnny Goodman, who just phoned me[…]
