[…]hey of the Fred Kite variety? If you know the reference?JPH: Well, they were to some degree, they were to some degree, again, stemming from ABC, ABPC, film...Daphne Shadwell DRAFT Page 130Our Sister Shadwell here has transgressed – is...JPH: That’s right.Yes?JPH: Absolutely right, yes[…]
[…]s in there it was very - it was a bit above minimum rates - it wasn't by many, it wasn't much above them - but it was more than you'd get at Elstree, ABPC or anywhere like that. But if you finished a picture on schedule, certain people - there was the lighting cameraman, camera operator, assistant d[…]
[…] you could get the all important set up tothe standard that the picture required, it was quite absurdRoy Fowler: Did anyone else use that, say MGM or ABPCAnd Maurice Carter: I don't think so but I didn't have any direct experienceRoy Fowler: We come now to Campbell's Kingdom in 1957Maurice Carter: A[…]
[…]s the alternative title of a city prepares,Alan Lawson  24:34  city prepares.Charlotte Jennings  24:35  And that's GPO Film Unit, ABPC Alan Lawson  24:41  associated British picture Corporation. That must have been It must have been distributed byABPC that would be[…]
[…]almuses . I thought Dr Kalmus was dead by this time and but anyway, again, that would be documented. Who followed the Kalmuses , you say? EMI, it was ABPC, Speaker 1  37:04  I believe Ford electric took us over from this, which was a year buyer, EMI Thorneelectric, yes.Roy Fowler &nbs[…]
[…] around and there were fewer people available to do it. Sound recording was Harold King and he went on to great things.BA: He became head of Sound at ABPC Studios.BE: And the art director was Holmes Paul. He was an older sort of art director, very very nice man. One of the few then who then had a be[…]
[…]done on the set with water chutes, when the boat was in heavy weather and water, coming down.Roy Fowler: You worked in a variety of studios. BIP lot, ABPC lot, British National, Denham and now you're at Ealing. Did you have a favourite studio to work in?Robert Beatty: Definitely Ealing. Thinking bac[…]
[…] a series of thirty-nine to do and Monty Berman is in a, he was also the camera man. He’s in a great big office which must have been for some star in ABPC’s earlier days and it had a plinth platform on which a ginormous desk was set. And there was Monty Berman, and Johnny Goodman, who just phoned me[…]
