Search Results for: ABPC

[…]y it had become Thames by then, Philip Jones was head  then and -eh - they had been very - very disappointed in the movies that they had done at ABPC and as Eric said to meQ: Pinewood01:41:35JOE: Exactly -as Eric said to me - he said - “They actually shot us in singles” and he said “The two of […]

[…]  I mean, all big insurance companies were involved.  My cover, I had, I ran three covers, I ran an open cover; I ran a cover for ABPC and I ran an Ealing cover. And on each cover there was something like 40 underwriters at Lloyd's, and something like 23 insurance companies. So t[…]

[…]abominated. So innumerable interviews and could always go in on a very high level I remember for example being interviewed by Robbie, Robert Clark at ABPC who was the managing director but I think probably, as I say I won't say I scared him but they probably thought that I'd want to direct the follo[…]

[…]t anyway that kept you occupied...Peggy Gick: Oh God that really was a hard chore.John Legard: And where did you shoot that mainly?Peggy Gick: Up at [ABPC] as it was then. And that was great because when I went up there, when I was going to start to do it...in fact I started to look round [when I'd […]

[…]cord, that when they were going todo ‘Fame is the Spur’, the, the Boultings had an idea that they would give a profitshare to all the technicians and ABPC were horrified, and all the Scottishaccountants, and said ‘Most certainly not’. And ACT threat, threatened a strike if theydid that, because ACT […]

[…] and I also did some work on 'Lolita'. Bob Allen: Oh, 'Lolita', of course, yes. Mickey Hickey: Only on loan from MGM. Bob Allen: That was at ABPC wasn't it? Mickey Hickey: Yes, yeah, that was Dickie Bird. So anyway,...what was I saying? Bob Allen: 'Barry Lyndon' and Doug Twiddy. Mi[…]

[…]u're just going there to shootthe material , you don't have to get excited about it. You know what you're going to shootand that's itAlan Lawson: Did ABPC have a regular crewMonty Berman: I had a regular crewAlan Lawson: But did the studio have a regular crew like chippies and sparksMonty Berman: Ye[…]

[…]us got started. And I ended up doing that one. And those are short. They want to do as a Running, Jumping Standing Still tactic. And it was backed by ABPC who was already helpful, but it wasn't a very big budget. And then I went on to do another one. And discovered a young lady called Suzy Kendall, […]

[…] and I guess that I got to, into the production department, 50 or 51. I think Master of Ballantrae was about 51 and I went to Elstree, which was then ABPC for this film, which starred a very aging and very puffy Errol Flynn doing sword fights. Anthony Steel and Beatrice Campbell were the stars and&n[…]