[…]us got started. And I ended up doing that one. And those are short. They want to do as a Running, Jumping Standing Still tactic. And it was backed by ABPC who was already helpful, but it wasn't a very big budget. And then I went on to do another one. And discovered a young lady called Suzy Kendall, […]
[…] and I guess that I got to, into the production department, 50 or 51. I think Master of Ballantrae was about 51 and I went to Elstree, which was then ABPC for this film, which starred a very aging and very puffy Errol Flynn doing sword fights. Anthony Steel and Beatrice Campbell were the stars and&n[…]
[…]ith Chris Challis other than the Mickey Powell pictures, one of them I just mentioned was Beau Brummell, and another was Angels One Five which was an ABPC film I think, having started down there when it was BIP, and they were always changing, I never quite known what the studio is, I know it's Tesco[…]
[…] were the outside temptations? RW B: Not many. RF: Not ABPC [Associated British Picture Corporation], for example? RW B: No. […]
[…] GLYNNE: Oh, yes, yes. Dial 999 was at Elstree for ABPC , yes. It had Robert Beatty as the lead. […]
[…] of eleven companies owned by Associated British Picture Corporation and ABPC, as you may not have known was 38% owne […]
[…] did you shoot that mainly? Peggy Gick: Up at [ ABPC] as it was then. And that was great because […]
[…] on loan from MGM. Bob Alle n: That was at ABPC wasn't it? Mickey Hickey: Yes, yeah, that was Dickie […]
[…] Only on loan from MGM. Bob Allen: That was at ABPC wasn't it? Mickey Hickey: Yes, yeah, that was Dickie […]
[…] what happened. And t hen, of course, they went to ABPC and, again, they weren't successful films. It was just […]
