Search Results for: ACT.

[…] NS : Ah, good. SN : That fits in with ACT. They're part of AC T. And then of course, I […]

[…] such as Tom O’Brien of NATKE and Alan Sapper of ACT. Particularly important films he remembers at Shepperton include Oliver! and […]

[…]s without makeup in a blouse and slacks and on yeah one, one said “Hello Miss Dietrich how are you?” And she was always very polite. No, no great contact. But anyway it was a lovely experience to be aware of her. Right there were other people who were part of the normal operation they worked on show[…]

[…]nce, and goes up to the Madonna, which was Diana Manners, pulls the baby Jesus away from the Madonna, throws it away and that is the end of the first act. The second act is the nun, dreadful life she has, the orgies and things that go on, and she becomes the mistress of a prince, which was Glen Byam[…]

[…]k to a certain time, which after all is basic to the theatre in a way. DM: Yes, it’s the feeling you have when you get to the middle of the last act. My God, you got a lift, you know? Very challenging and exciting. SC: So when did you… well in a sense you haven’t stopped writing or have yo[…]

[…]mean you could stay in there for up to five hours for one performance.R. F. Was that freelance work?C. D. Oh purely freelance, yes. There was no contract. It was all very precarious.R. F. What would you do? Would you design.C. D. I designed and painted like a scenic artist. Well I was a scenic artis[…]

THE ACTT HISTORY PROJECTEDWARD CARRICKINTERVIEWED BY SID COLE WITH ALAN LAWSON.The copyright of this recording is vested in the ACTT History Project Edward Carrick, Art Director/Designer, recorded on 30th January 1991.Interviewer, Sid Cole.SC: Teddy, it's lovely to see you after all these years. In […]

[…]at we were in trouble. Financially, man named cousins. Eric cousins, Bill can no no only got to know how he was pm. And he actually almost did a contract. Because in those days for net finance was a little complicated with transferring money, and you had to have permission from all sorts of people. […]

[…]f of about six or seven.Roy Fowler: The studio itself was it an old church or what was it?Norman Fisher: No, it was an old art school as a matter of fact. I think Augustus John used to inhabit it at one time. And it was converted as a ... into a studio. It was small but adequate for what we needed, […]