BEHP transcript DisclaimerThis transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interv[…]
[…]time and he also was Deputy Controller and he said to David, "I've got Glen here, he's going to do the programme so we'll put him on a long-term contract." Well a long-term contract was for one year and that one year turned in to twenty-seven! That was the start of Cavalcade! Of Cartoon Cavalcade! S[…]
[…]actory things. Very, very sad to see the end of denim. And there's so many studios are gone, of course, that the laboratories or the labs is too abstract. The labs are still the I did work, which I forgot to say but perhaps I should mention, I did work in the war on a film called The Way Ahead, dire[…]
[…]acted there? NEVILLE WORTMAN: Later on … No, I didn’t act there. You weren’t allowed to act there unless you were good at school in fact. It was an extraordinary time really. If you excelled in all the other subjects, you usually got a lead in the school play but if you […]
[…]Harwich to show moving pictures. Derek Threadgall 3:12 And all that came to an end, really, in 1909 Yes, the cinematograph act. Yes, Chris Strachan 3:20 There had been so many tragedies because of the it was the dangerous combination of nitrate b[…]
[…]e family. Jill Balcon 17:44 No well. My mother had been a child actress, and had earned her own school fees in fact. And you asked me about the formative years and all that, well, if we can spool right back to Tufton Street and the early days before E[…]
Interview with Aida Young The copyright of this recording is vested in the BECTU History Project. Aida Young, film and TV series producer. Interviewer Teddy Darvas. Recorded on the 29th September 1[…]
[…]e I’ve been hoping that this was, this is only a temporally phase, two steps forward one step back.Yep.Mm.I’m wondering how that’s gonna work out in fact.I don’t know. I can’t, I can’t see Yeltsin lasting very much longer.I don’t really like Yeltsin.Jan Zilliacus DRAFT. Tape 2 Side A42Jan Zilliacus […]
[…]out the Canadian OrchestrasAlexander Faris: They were pretty good. Yes. They were pretty good. They were more up to British Standards as a matter of fact.TD: Looking back on your life what would you do differently and have you any great regrets.Alexander Faris: I have one regret dating from school d[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for[…]
