Search Results for: ACT.

[…]ector whom I eventually got to know quite well who, you know, we had terrible arguments. I won’t say what his name is.Oh go on.It was John Treays in fact.Right.But, you know, John and I, John was really quite a tough customer and, and I think there was a resistance to, to being told by a woman what,[…]

[…]e names come back.I: We got up to what I call your pinewood period, Woman in Question, quite a lot of nice films there.  but you were under contract. Presumably by now you have an opinion on the parts you will play? Did you turn things down.JK: Yes, I turned Michael Balcon down. But I’m not nor[…]

[…]ettled with those and …RF: Were there not any union problems…JR: No, they were both union members. I mean Paul Rabiger was a union member…RF: ACT?JR: ACT. Or NATKE…RF: It was NATKE, of course, in those days, yes.JR: And the hairdressing girl called Stephanie. And Peggy Moffat did her own makeup, alw[…]

[…]ually died of course. But he would ask an opinion. As I say I was terriblynaive at the time really, because as you grow older you have a little more tact. I don’tthink I had any, I just used to tell him what I thought. And, but, but it’s how it began. He, he got rather fed up with this precocious as[…]

The copyright of this interview lies with the \british Entertainment History Project Interview with Lusia KrakowskaLusia Krakowska, Film Editor Interviewer Roy FowlerRecorded on the 23rdJanuary 1998Side One:RF: The date is 23rdJanuary 1998 and we're recording Lusia Krakowska, that is L-U-S-I-A […]