[…]demy Award winner, but he was at the end of his career. And the the money was actually some of the money was backed by AIP who had Sanders under contract. So they said to him, that he's you know, it's your job to he has to do any any any work wasn't keen at all playing this army. Colonel what it was[…]
[…]hich wasn’t a fortune but it kept me quite well and I was able to help my Mother and various things like that so I was glad to have that kind of contract. Probably, it might of held me back a little bit in as much as that filming wasn’t easy. (Time 13:58)   You know, they put peopl[…]
BECTU History Project - Interview No. 539[Copyright BECTU] Transcription Date: 2004-03-18Interview Date: 1972-05 Interviewers: Jim ShieldsInterviewee: Bill Welch  Jim Shields: We're at The Gate Recording Theatre at Elstree with Bill Welch who was the props man there - it may be o[…]
[…]te a minefield You can get caught out if you aren'nt carefulBG Did you pay all the companuies?CY It might have been Hattrick productions I use an extract. I think it was a programming called. Anybody see my Pussy. Now this is a program about sexual innuendo in a sit com and I was chosen for this . A[…]
[…]ights went up how they came down to them on a dimmer and the curtain colours could change and be intermixed. And really this was quite attractive in fact. We had two sets of curtains originally what we used to call screen tabs which were behind the house curtains so you had those to control before y[…]
[…]ady been on to Clive Selwood, his manager and agent and booked him for the next eight weeks, and a verbal booking from a BBC producer is a legal contract. So, as far as they were concerned, I’d been very , very naughty, and booked him without their permission, and they didn’t want him booked.&[…]
[…]e complete. They were in black and white and there was a man holding a stick which was supposed to be the Cyclops because he hadn't been put in that fact. But I showed him the drawings and the continuity sketches and he felt he could contribute to it. So. You agreed to write the score. It's a great […]
[…]ector whom I eventually got to know quite well who, you know, we had terrible arguments. I won’t say what his name is.Oh go on.It was John Treays in fact.Right.But, you know, John and I, John was really quite a tough customer and, and I think there was a resistance to, to being told by a woman what,[…]
Kent Houston Side 1 Kent Houston  0:00  All right, here we go. Tim, okay, thank you.  I'm Kent Houston. I was born in Wellington, New Zealand in September 1951 I'm a visual effects technician, Darrol Blake  0:16  great. Okay, tell us a bit […]
