Gerry Morrisey

[…]'d recruited and everything because we weren't really accepted in for a long time, that actually this had to be recognised. And the ABS used to do an award at their conference every year called the Leslie Littlewood Trophy. Did you hear about this? RL:  4:26 Leslie Littlewood- GM[…]

Sheila Whitaker

[…], including a bomb. So I applied for this job because I was very interested in film, I was a member of the National Film Theatre and I would goto the Academy and wherever one went, the Everyman, and so... Then it was in the days of Ernest Lindgren who was the curator...SF: Ernest Lindgren, yeah[…]

Gerry Humphreys

[…]he lows I can’t really think of any lows in the film industry.  Highs – get onto pictures, to get your first BAFTA nomination, to get your first Academy nomination.AL Which was that?GH The first BAFTA one was Sunday Bloody Sunday, John Slessinger’s. Oh What a Lovely War was a BAFTA nomination a[…]

Charles Crichton

[…]nd we were leaving on Monday morning. So we did what we had to do on the Sabath day and then we got into the bar on the Sabath evening and we did our best to satisfy the barman.SC : 14 of them I think.CC: I don't know, we did pretty well. The next year I was fishing across the strait between Harris […]

Geoff Labram

[…] track. And the work they did on that led to the statements which they made thereafter. And they've repeated many times since, which was that the the academy curve, which we had bowed down to for so long, which is defined in terms of the electrical overall frequency response that took effect over th[…]

Richard (Dickie) Best

DICKIE BEST Tape 1 of 115th July 1987.Interview of Richard Best, editor, interviewer Arthur Graham.Copyright of this recording is vested in the ACTT History Project.SIDE 1, TAPE 1AG: Richard, where and when were you born.DB: I was born in Hull in 1916 and brought down to London at an earlyage, about[…]

Bill Girdlestone

[…]here was this?Bill Girdlestone: At Denham, the last five years. They had sufficient sense to know what I was doing and I was able to produce the best colour pictures that this country ever saw. When I did Oh, What a Lovely War, 1968, we showed it at the Plaza, I sat with Dickie Attenboroug[…]
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