Christopher Miles

[…]e in London, which we didn't, you You didn't go the National Film theatre which was trying to agree was going but I became aware of it. I went to the academy once or twice but interested in film was what wasn't wasn't nearly as high as it is today. And the so therefore, the people who it was made An[…]

Dennis Kimbley

[…]then started to visit a number of labs, the studios to meet cameraman. Because I felt really strongly at that time and so many other people, that the best way of getting the best products out there was to actually find out what they wanted. Mine was double edged, because I was interested in wanting […]

Lindsay Anderson

[…]k, incredibly submitted the film for an Oscar and we didn’t know anything about it, they didn't tell us, and we suddenly heard one day you've won the Academy Award. So we said oh, that's very nice. And the chief result of winning the Academy Award for was that the film was taken on by a British dist[…]

Charles Wilder

[…] they started to put the soundproofing in then. It was a kind of a wire netting behind which had a sort of material and er...Margaret Thomson: Like asbestos wall almost wasn't it? That sort of stuff, it looked like it anyway.Charles Wilder: ...all stacked in behind it. And then of course it develope[…]

Gerry Weinbren

[…]ay and work over the arts to get the effects they want. You know they weren't satisfied with doing their best. You know it still wanted to go for the Academy doesn't make more out of here. Most in television that I made as an independent. Was made for overseas consumption. And because of the time it[…]
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