[…], including a bomb. So I applied for this job because I was very interested in film, I was a member of the National Film Theatre and I would goto the Academy and wherever one went, the Everyman, and so... Then it was in the days of Ernest Lindgren who was the curator...SF: Ernest Lindgren, yeah[…]
[…]u were trying to do?Carmen Dillon: Yes I think not only that, he was very firm and very fierce. He was a wonderful chap. But - a show-off, but in the best possible way I think.Sidney Cole: [laughs] Yes.Carmen Dillon: He was - for instance on Henry V - he never asked anybody to fall out of a tree or […]
[…]hen I did a film I liked very much, called Hand in Hand. For Columbia. And it was a simple little film but I was very, very pleased. And it won eight awards. What they were I don’t know because the producer woman took them all to America with her and died. I haven’t been able to find them, because o[…]
[…]e was Richard Mason, who was writing the, helping write the catalogue of all these films. Who very soon afterwards wrote "The Wind Cannot Read", that best seller or rather, at the end of the war, and went on to bigger and better things... so he was there. And it was in Saville Row, I think 25, it's […]
[…]bout some other of his colleagues; working with Herbert Wilcox, a terrific promoter but not a great director. 00:29:40 – 00:30:10FY: I think the best, one of the best films, I think was Victoria the Great. I’ve seen that … it’s been reprint … redone, you know, on the new stock. And […]
[…] awards. From the Catholic Society, Protestant Society, it won an award at the… SC: Venice? DM: Yes, Venice and various […]
[…] picture for Robert Clark. Arnold Schwartzman : You received an Academy Award nomination for 'Foreign Correspondent', and was that the […]
[…] British Film Designers Guild. He was nominated for Nominated for Academy Awards for Best Art Director ‘Anne of the Thousand […]
