[…]n, the whole brass section the percussion, the conductor, you know, the individual soloist and that won for me the Golden Rose os Montreux award Then the following then I won the Charles Chaplin award the same year. So things were going you know pretty good for me. You see, my awards are […]
[…]ith it. I mean, he was responsible for all the Olivier pictures, Hamlet, I was gonna say the Hamlet and Henry Five. He was, he I would say he was the best designer in the country, but he, I don't think he was concerned to make a name for himself. You know, I don't think he was going to go out his wa[…]
[…]p;year they they are sort of they work in the grade that they are probably best suited for. Whether it be camera sound or whatever and they are attached to[…]
[…]nly wrote the script of. And then there's Clean Milk film, which was just a very straightforward exposition of what a cowman should do to produce the best quality clean milk with, with the rather primitive cow sheds and implements that are available at the time. But I remember, it was written up som[…]
[…] - it was nominated if it didn't get - an Academy Award for sound... Mickey Hickey: That was Donat, wasn't […]
[…] - it was nominated if it didn't get - an Academy Award for sound... Mickey Hickey: That was Donat, wasn't […]
[…] for ‘quot a quickie’ producers such as Julius Hagen, the best remembered of which are The Ghost Camera (1933), Dusty […]
[…] I mean, even Michael Collins I didn’t do the final grade of that on the DVD, on the blu-ray. I think that the distribution companies think they know best and they also think it’s going to cost money and cause delays. Well it doesn’t cost money and it doesn’t cause delays and they don’t know best.PF[…]
[…]et a Silver Medal at the BMA Competition so I was quite pleased about that.[10:12]Mm, good.Really, it was my first experience of, of actually winning awards, an award. And Ithink it was after that, I think directly after that because they hadn’t got any films thatthe talk started about me possibly g[…]
