[…] of rubbish as an operator so it's in your interest to actually get that person to be good because it reflects on the Sound Recordist. You can be the best Sound Recordist in the world but if the Boom Operator is not getting anywhere close to where it wants to be then you're not going to go. You won'[…]
[…]re not normally allowed to listen back to it – mainly because there wasn’t time – you had to get on with the recording… I used to try and do my best to let members of the groups and the artists themselves and the musical director to take part in the decisions on whether it was OK with them and[…]
[…]I actually got my ticket to the union. So I was unit manager and then a film called laughing and which was dreadful film absolutely dreadful. And the best part of it we went out to salon to do the title. And it was slot was called out there. And it was that was the best part of the film. It was it w[…]
[…]; the extras were not paid but were entered into raffles throughout the filming day, with the final prize being a new car; DW talks about winning the Academy Award and commercial director Dom McPherson; working with Sydney Pollack on Out of Africa and lighting Robert Redford; myths surrounding flatt[…]
[…] as Dr. Shepherd I did all the studios Elstree, they probably kept the stills department and they always kept a sound department. That was one of the best really, but they're all good they're all very denisha The sound is so important.Jim Shields 19:52 He says nothing has changed now of […]
[…]pper : Yeah, exactly.Lew Grade : And England has the, Britain has the top technicians in the world, they're amazing.Alan Sapper : Well, the number of Academy Awards they got! The number of awards they got all over the world! It proves your point.Lew Grade : They're tremendous, very tremendous.Alan S[…]
[…]bsp;I produced it. Stephen Peet: So we come to 77 and you got the Desmond Davis Award. Norman Swallow: 78 wasn't it, oh you get it the year after. Icollected it […]
