[…] brilliantly lit compared with some of the others. He was very good, but working on the top-notch movies made here-he got the reputation of being the best.DB. So who do you think were his equal or superior at the time?PS. I can't think, because I'm trying to think of some of the American lighting ca[…]
[…] the cinema screen - sort of how to make the best of your food and stretch your rations and... Charles […]
[…]e days.Unknown Speaker 0:20 You English,Unknown Speaker 0:20 I'm English as youSpeaker 2 0:24 got older. Um, what awards Have you won through your lifetime?Speaker 1 0:33 Well, I've run three BAFTA nominations, one for Dr. Fisher of Geneva, one for sug[…]
[…]tant when I was made up was a film called “Public School” and the Editor was Paul Carter, the Director was Jonathan Gili and Paul won the BAFTA Craft Award for “Public School” and was was kind enough to share his prize with me. So that was that was delightful.SPEAKER: M2 [Paul Collard]So it sounds l[…]
[…]school in Fleet Street called Broad Court which was next to Doctor Johnson’s house. And I think I was very good there. I won the National Award for Illustration at one point so I had a natural kind of bent towards cartooning really and that’s really where it developed.DARROL BLAKE: […]
[…]'re just like the commercials nowadays, but they only lasted about a minute or so. And they were shown on the cinema screen - sort of how to make the best of your food and stretch your rations and...Charles Drazin: Showing delicious recipes with dried eggs and that kind of thing?Manny Yospa: Oh yes,[…]
[…]first child pupil. Her name was Nellie Potts and she went on to become, probably I won’t say the most famous, but a very famous examiner of the Royal Academy of Dancing. Your sister will know of Miss Potts. NS: You were in BurnleyMD: Yes well we weren’t, the headquarters were. We were constantl[…]
[…]dney Cole: Oh yes!Bernard Vorhaus: Because I mean I think it had a good effect in breaking away from conventional stories, but I still think that the best films and plays should tell...Sidney Cole: Tell a story.Bernard Vorhaus: I'm all for the Lillian Hellman kind of play where you combine both a so[…]
