[…]oming down to autumn.Unknown Speaker 1:15 Describe Bolton and administrators.Unknown Speaker 1:19 Oh, well, we weren't in the best part of whatUnknown Speaker 1:23 to say.Unknown Speaker 1:24 We stayed with my grandmother, the far end of Walton.Unknown[…]
[…] the guys would use the cameras, what type of lenses they would shoot on, and all these variations. For instance, you … most people would shoot as an Academy feature because it’s a full 35mm frame, you’ve got all the information you want in that. Some people prefer to shoot on cameras which are set […]
[…] of something that STV had done many, many, many years before but we managed to get together enough money to make six half-hours and it's won lots of awards. It was amazing! Because I'm not from a Drama background, I had very limited input to it but I definitely made it happen from working with the […]
[…]n Winston, yeah. TD: One of the reviews of the series, the Thames series Palestine, by Brian Winston spoke about in The Listener spoke about the Academy Award winning film research, so that went straight onto my CV [Murray laughs] and I thanked him. Every time I see Brian Winston I thank him ag[…]
[…]e type of John Freeman everyone read it people like Augustus John but fortunately not with a Cammy flex and an Arriflex because if you put 16 mill on Academy flex because it had 35 lenses and contrasted that with an Arriflex 16 mill you would have thought it was shot on a different location on a dif[…]
[…]ere or to look after me, I had to get a job. And this was a nightmare, because what could I do? I had an aunt who died young. And I think she was the best of us. She's an argument for the best die young. She had taken a degree at the University of Wales; she was the best educated of us. S[…]
[…] film, I remember watching it, the one you got the award for. LK: That was for Anthony Simmons[xlv]who is quite […]
[…] didn't he? Poor chap. Saville was a rather a fiery director. Yes he could say things like that. Didn't mean […]
