[…]'t say anything for himself sadly. I: We have Nancy coming. R: Oh great! That's wonderful! That's great! It was the same year that Bill was awarded a gold medal by the RTS so that was super. And, after that, I was allowed to make more documentaries and that was really fun. I did a film abo[…]
[…] it served a lot of purposes because five minutes a night is thirty five minutes a week and, if it's stretched a little, it's getting well on for the best part of an hour which, when your license, went to, say, nine hours a week, it's a substantial hole in it. I'm not saying that figured largely in […]
[…]regulator set bid-level and companies competed on quality, which is the right way to do it. But we ended up with a farce in 1992. Two franchises were awarded for pennies because STV and Central drove away all competition, so Nigel Lawson got zero from two very valuable franchises. LWT underbid becau[…]
[…]sed in little fillers that were very often about artists talking about their own work who were dead couldn't answer back and Arbrush Durer? . And the best of those I think it's the one on Van Goch, which was narrated by Cecil Day Lewis. He edited all of my he has given writing credit for it but he e[…]
[…]ure.Linda Wood : Hmm.Anthony Mendleson : And that is why, very often, and I say this many times, that the grand couturiers, shall we say, are not the best people to design for films. Because they're only thinking about beautiful clothes that'll look absolutely lovely on the actress, which isn't the […]
[…]evision Engineers for October 1952, and I was co-author, in collaboration with Raymond and Nigel Spottiswoode. This paper was later given the Journal Award of 19—for 1952 by the SMPTE as the best paper of the year, the only time they'd ever given this to a non-American paper. Our programs went […]
