[…]profit they‟d make because they had made an enormous profit, how much profit they‟d made..The more the less they were going to give us.And it was the best one they‟d ever had and the next year was going to be even better, and nobody mentioned the fact that the place was practically closed down. So i[…]
[…]the decisions, I can see Carol in my office.SC: You made Odd Man Out possible, because it's a lovely lovely picture.GC: It's a beautiful picture, the best thing James Mason has done in my opinion. And then of course came Lawrence Olivier and don't forget Leslie Howard, we had Leslie Howard as a dire[…]
[…] they were going to give us. And it was the best one they‟d ever had and the next year w […]
[…] you go on call say Greg Peck say the assistant director will go and call say Mr. Peck we're ready. […]
[…] sound recordist, which director do you remember perhaps making the best use of sound, in an imaginative way? [I suppos […]
[…] AGM (and extraordinary GMs, if any), and who elect the Directors. 2.!Directors – elected from and by the Members, who […]
[…]'t the best of them, to be nominatedreally, but this - it got an Oscar. And we got a lot of awards for that er - Venice, we had the main British Film Academy Award, I think, three years.. And the Venice, main Venice award on three, three or four occasions. We did very well. And again we had complete[…]
[…]2002, just, and launched at the FIAF Congress in 2003, and as you’ve already said, copies are still available. MW: And it won the Kraszna-Krausz award. RS: It won the Kraszna-Krausz award and yes I have the certificate on my wall. [looks across] MW: Ah yes. Indeed. RS: Cathy Suro[…]
[…]as out with recording with David Lee and he and I mixed and had we won I would have obviously have a nice speech to say. As it happened. There was an academy tribute to David lean, which they asked for the contributions from obviously couldn't go there. So I recorded a contribution much along those […]
