sidney-cole-transcript-1987

[…] hear the way he addressed star artists, people like Edna Best. He treated his stars like dirt. Alan Lawson: Going […]

Joe McGrath

[…]h don’t do that because I can tell you we don’t have anything to cover this - and you know you learnt editing - very quickly. Oh and of course it won awards! (Laughs)Q: First of many I’m sure! - Um - so that led to what?00:10:16JOE:   That led to my - er - let me think it’s quite interesting - […]

Moira Armstrong

[…]re named after Jim when he’d died in 1974. I think that was it if my memory serves me right. Because in those days he was considered to be one of the best directors around. And he was, not only was he good with actors but he was very good technically, I mean he’d, he did the first production of Alic[…]

Bobbi Riesel

[…]always did the catering for all the film shoots. You know, large quantities of sandwiches and whatever and drinks. NATTKE quite well. It won a bronze award at the sixth international Jewsburger Film Festival in Germany, and it won many inter club competitions. Paul Lecker  10:26 […]

Fred Tomlin

[…]oped, including Vanessa's performance. All the audio engineers there couldn't have been more complimentary, saying again and again that they were the best results they have ever had with a Stedhiacer[?] microphone." [BA stumbles over name of microphone - helped out by FT - some indecipherable dialog[…]

Sidney Cole

[…]ad to wait in the stalls while he completed what he was doing and I was absolutely amazed to hear the way he addressed star artists, people like Edna Best. He treated his stars like dirt.AL: Going back to the early days what were production techniques like? How much did they change over the years?SC[…]

Johnny Goodman

[…] working at Sam Freight - when the director of the Academy the guy that was the paid running guy of […]

Fred Tomlin

[…] more complimentary, saying again and again that they were the best results they have ever had with a Stedhiacer[?] microphone." […]
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