[…] Attenborough about him a profile.Richard Levin 9:27 However, you know. He's not an endearing character he wasn't during the film. Anyway,Alan</mark></</mark>mark> Lawson</mark></</mark>mark> 9:38 what's shown on television? No, no.no one wouldn't buy it Okay, and then after that. After that,Richard Levin 9:51 […]
THE ACTT HISTORY PROJECTEDWARD CARRICKINTERVIEWED BY SID COLE WITH ALAN</mark></</mark>mark> LAWSON</mark></</mark>mark>.The copyright of this recording is vested in the ACTT History Project Edward Carrick, Art Director/</mark>Designer, recorded on 30th January 1991.Interviewer, Sid Cole.SC: Teddy, it's lovely to see you after all these years. In […]
[…]ws studio. Electrician, member of the TU recorded on the 17th of May 1989Unknown Speaker 0:17 in his own home at Twickenham. Interviewer. Alan</mark></</mark>mark> Lawson</mark></</mark>mark>, side one,Unknown Speaker 0:26 yeah, things thatUnknown Speaker 0:31 Ted the first question really is, when and wh[…]
[…]ubby Englander: It was early for operators, but the operator was again a sort of freelance, as far as I can remember. Ted Chown...Ted Chown, and also Alan</mark></</mark>mark> Lawson</mark></</mark>mark>, came in as operators to Stoll's. But they were only on a freelance basis. I mentioned Ted Chown in the first instance because he was the […]
[…]ists who go to Hollywood in order to teach the talkies how to talk. And Jack ok is one of the leaders of it, and girl that I used to know quite well, Alan</mark></</mark>mark> McMahon and a couple of others, and the things that happened after the absolute hoot Jack, hokey, sort of takes over Hollywood when he gets there[…]
[…] 28 February 1991 Duration: 01:27:59COPYRIGHT: No use may be made of any interview material without the permission of the BECTU History Project (http:/</mark>/</mark>www.historyproject.org.uk/</mark>). Copyright of interview material is vested in the BECTU History Project (formerly the ACTT History Project) and the righ[…]
[…]that static design, whether it is graphics or fine art's cannot be as exciting as moving design. That realisation turned me into a film animator Alan</mark></</mark>mark> Lawson</mark></</mark>mark>: can I ask John, what kind of equipment were using then ? John Halas: it varied. You remember 8mm, 9.5, that was one of them. And as […]
