[…]just know about the stageiness of them you look back to the great days of television dramas so-called Sydney Newman at Granada and you know the early Alan Owen plays for instance No Trains to Lime Street. I mean they were all studio bound, there was no ...Roy Fowler:Oh yes, yes. Rodney Giesler:[…]
[…]some sort of activity before.WR: There was next door, in this Kingdom & Chapman’s garage there was a glass, a big glass building. I’ve forgotten -Alan you knew the name of it, but that was a film studio, where they lit it by having blinds all over the glass and that sort of business.LH: Also the[…]
[…]terviewee Interviewers Track NoDiane TammesNicky North, Elaine Burrows 113With your ticket.With my ticket. I had to go for an interview. [laughs]With Alan Sapper? Not with Alan Sapper?No not with Alan Sapper, with the head of the camera section, whose name I can’tremember now. No, gone.Did they ask […]
[Side One] This is the twenty-sixth of November 1992, this is the BECTU History Project. Interview number 269 Harry Courcha conducted by Alan Sapper. The recording rests with The BECTU History Project.Harry, mm, when were you born?Second of March 1925.And where?Sixty-seven Queensdown Road, Holloway,[…]
[…]or me. They all knew their job. Basil Emmott was another one. He was a terror. He'd been so used to photographing wild animals from an aeroplane with Alan Cobham, on his first flight to Africa, he used to put on every light there was, they used to talk about the Emmott forests. It's difficult to get[…]
[…] BECTU History Project. Interview number 269 Harry Courcha conducted by Alan Sapper. The recording rests with The BECTU History Project. Harry, […]
