Sheila Whitaker

[…]But in fact they’re very welcoming, if they like you, they like you and then you have a great time.SF: And then you’ve got the history of things like Amber and the Tyne, you know, the...The Trade films.SF: ...Trade films, they more than tolerate collectives, they cherish collectives, otherwiseAmber […]

Lionel Banes

[…]y to do it, and they couldUnknown Speaker  40:30  make a correct plate, as done in Hollywood.Unknown Speaker  40:35  And it was a Amber print so thin that you could hardly see a picture on it,Unknown Speaker  40:44  and that was put on the top part of the magazine and t[…]

Erwin Hillier

[…]as you will, at least by time I get back. But anyhow, I'll see what I can arrange. So the cut long is very short. I did do some work with the ALP was Amber's driver. And as I knew, London Bay were and I could go at Marvel's eyesight. I was working for the RP, for for short pairs, as as a volunteer. […]

Harry Miller

[…] for ground noise we’d call it and he’d cut in ground noise where there was no soundtrack.   We also ordered a roll of the same sort of thing in amber colour for a blacked out track.  Now if he had to build up something he would cut a bit of that in, which would tell me that it was build u[…]

Charles Picken

[…]lm making already taking place and being backed with some funding from his films’ budget there was a bit of a void in terms of showcasing the work of Amber Films and some of the other recipients of this support. As Murray Martin, one of the key drivers in the success of Amber, was willing to introdu[…]

Penny Woolcock

[…]nd I've never forgotten (laughter). And I was really, really shocked. And I was still, and then the filmmaking community out there as well, Trade and Amber, also didn't like the film, and there was a screening at The Side, and I went, I was thinking now it's going to be all right, you know, people w[…]
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