Bernie Andrews

[…]the studio below…  That was in studio 3A… and…  studio 3A which was the transmission studio for Saturday Club – the control cubicle and the announcer’s cubicle was on the 4th floor… but the main body… the music part of the studio was one floor down.  And that’s why they called The Jaz[…]

Lindsay Anderson

[…]erhaps a forerunner of what was to come later.Norman Swallow: And you still kept that view because I was thinking when you mentioned John Ford, the Channel 4 thing you did from the National Film School.Lindsay Anderson: That's right, Clementine. Clementine was the film which way back in about 48, wh[…]

Gordon Hales

[…]ilms that were not considered commercial for the public. I don't remember actually that but I was told this a comparatively few years ago at the 50th anniversary. History of the Film Society an event that was set of about at the National Film theatre and Ipswich itself. But I got the local principal[…]

Erwin Hillier

[…]ay. I mean, had to be he laid everything out in Sketch form. Do you mean exactly what what you want to do now?Roy Fowler  42:36  Did he and Anna Wagner decide where the camera was going.Speaker 1  42:42  Oh yes, they discussed beforehand, the atmosphere, the mood, the sharper lig[…]
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