[…]without actually looking up my records. Um, a Fleet Street still man, of course, and so we had to hang about in Liverpool. We were shut down into the archive room, a sort of air raid, um, I've forgotten what the word is now - shelter, I suppose.Alan Lawson: Yes, an air raid shelter, yes.David Prosse[…]
[…]t the tape recorder in there with it.Keith Ewart 29:04 You edit them down. No, no, no. The Masters go to Berkhamsted to the National Film Archives. Have a certain weight to our endeavor, and then there'll be a copy in the BFI library. If anyone wants to check on the thoughts of teeth you[…]
[…]ee to Marble Arch with the various reels, some of which got showed out of order and one reel never arrived at all, some shots We in upside down, some archive material, so it must have been one of the most unfortunate premieres ever.I started at Elstree in 1934. Around 1934, 1935 pictures were shot v[…]
[…] still further and to digitise all the interviews in our archive. Mike, Sue and Elaine have been working through interviews […]
[…] a substantial number of the collection of interviews in our archive. Since I wrote our last Bulletin, Jo hn Harwood, […]
[…] refer this to Tim Aymes our contact with the STV archive. Mike also feels we need to investigate links with […]
[…] just the way it i s to the National Film Archive. CB: Ohoo dear (laughs) I: No don’t, our intention […]
[…] the films. I think many of the films are with archives that Stanley Forman's organisation has... Sidney Cole: Oh yes. […]
[…] arrived at all, some shots were in upside down, some archive material, so it must have been one of the […]
[…] Act Case File (Cinemas, Flats And Petrol Stations), London Metropolitan Archive, 1935. From a total of thirty-two staff rooms, nineteen […]
