[…]in colour films when tripack was introduced; labs had to look after Gevacolor, Ferrania color, Eastmancolor; PB remembers test on an Ilford stock for archive purposes.00:23:30 – 00:30:00 Restoration work; started at NFTVA in the1970s when work for film technicians was sparse (unless working on comme[…]
[…];Rodney Giesler 00:00This is an interview with Sarah Erulkar, recorded by Rodney Giesler on the ninth of March 2000, for the BECTU oral history archive, in whom the copyright of this recording is vested. Well we're starting and perhaps could I ask you when and where you were born, Sarah? […]
[…]cording of an interview with Mike Hodges, recorded by Rodney Giesler on the third of March 1998, in Blandford Forum Dorset for the BECTU Oral History Archive, Reel oneRodney Giesler 0:22 Right So Mike, can you tell me when you were born and a bit about your family background. Mike H[…]
[…]me up with. I mean, with all respect to Philip I don't see how he can know if something isn't documented. I mean what will be documented if there are archives of MGM is that Mick left or was fired but nobody will know what the row was about because there is nobody left. Roy Fowler 3:[…]
[…]as this during filming for intelligence purposes?A No. For anyone. I mean, once I submitted the film I don't know where it went. It isprobably in the archives in the Imperial War Museum now, or somewhere like that. But I did notSee a foot of what I had shot. The only thing I can remember seeing was […]
[…] the moment, thanks no.I: Yes, soCB: You’ll edit this of course won’t you?I: No, no, no, no. Well it all goes just the way it is to the National Film Archive.CB: Ohoo dear (laughs)I: No don’t, our intention is that people in the future will ...find...CB: Try and get some idea?I: Yeah, so, I mean, wh[…]
[…]s of paper that flew about and ridiculous statements by Yes. Mainly on the radio, many of which I've recorded I'm happy to say having my own personal archive quite ludicrous. I'llGerald Chambers 43:48 play them doing one of these. Now, it was it was amazing during that time the the amoun[…]
[…] another kind of animal programme and that was on film. And it wasn't shot by the BBC. Cecil Madden whose history will already have appeared in these archives was the world's first television producer but he was in a way without a job. Now exactly why he hadn't got a job wasn't apparent to us junior[…]
