[…]icely, we've got some super stories there and those old stills are absolutely super. As I say, I hope that you might give permission for the National Archive...Fred Tomlin: If you want to use them you can, yes.Bob Allen: ...to take copies of them they'd be most interested.Fred Tomlin: Because I thin[…]
[…]y, certain members of the senior staff were. And we asked him, and this has all been said before and I've not doubt you'll have it else where in your archives, but this marvellous thing that directly it was announced Hugh Carlton Greene went on 6 weeks leave, took all the leave that was due to him a[…]
[…]s.SC: How old would you have been then?RP: I would have been four and a half, five. He made then many pictures at Teddington Studios, some are in the archive and some have not yet been transferred from nitrate stock to [unintelligible].SC: Mm, that is a problem. What was the company called?RP: Maste[…]
[…] includes the National Media Museum in Bradford), the Mass Observation Archive based in Brighton, and the British Entertainment History Project. […]
[…] Cecil Madden whose history will already have appeared in these archives was the world's first television producer but he was […]
[…] I hope that you might give permission for the National Archive... Fred Tomlin: If you want to use them you […]
[…] collections. www.bfi.org.uk Website of British Film Institute and National Television Archive. www.bksts.com The International Moving Image Society otherwise known as […]
[…] work. For example, as we improve our online resources and provide additional features, these enhancements will be exclusively available to our Members, first, before being made available to the general […]
[…]year going through from 2009, right until… I mean, I finished in 2015, but all those years we produced the restoration for BFI’s London Film Festival archive Gala, so a signature restoration that would be shown each year, and when we became part of Deluxe, we also set it up as a dedicated restoratio[…]
