Charles Picken

[…]friendship with Davy involved some tales of his childhood experiences where he had been brought up in the house in Edinburgh formerly occupied by Sir Arthur Conan Doyle. Doyle in his later years was well documented for his interest in spiritualism and the afterlife. From Davy’s experiences of someti[…]

David Prosser

[…]ing to break out in Tobruk.Alan Lawson: Oh yes, yes.David Prosser: Er...should you be interested, there's a story, if you remind me to tell it, about Arthur Graham, apropos breaking out of Tobruk. Er...no, Richard and I were there and he...it may have been the entrance to Benghazi, going up from Tob[…]

Michael Clarke

[…] was that he didn't try to steal the credit from young people. He wanted the credit for having chosen the young people and he never pretended on Like Arthur Elton, who every film author wants his films to be called Elton's film and Elton film. Bertha just had Rosa foregrounds it the directors and th[…]

Kay Mander

[…]ntinuity girl called Florence, the director was Oswald Mitchell, Tommy Myers was on the boom, and the dialogue continuity had the job of getting down Arthur Lucan's ad libs so that they had a rough idea of what he was saying. And that was one called 'Old Mother Riley, MP'.Sidney Cole: A remarkable m[…]

Interview

[…]ational considerations of environment and you had as a consequence this wonderful series of films which were made after the war under the guidance of Arthur Elton and Stuart Legge,. particularly, who came in and made films in association with the United Nations agencies, which were about the relatio[…]

Rodney Giesler

[…] making. They looked at it and then I started pushing it around: my showreel. We'd had a lot of Shell Films at the Film Society, and I sent if off to Arthur Elton. I eventually got to see him after a lot of delay. He wouldn't reply and wouldn't reply. I'd seen a marvellous film of the Mille Miglia s[…]

Erwin Hillier

[…] already had honest on his chart, laid out, sketched out. Did he look through the camera? Well, they looked all right. I mean, when there wasn't like Arthur Young would give it a little finish and marvelous sketches.Roy Fowler  9:52  No. I mean, did he look through the camera on the set up[…]

Tilly Day

[…] yacht, you remember? That's where you told us the story on the other recording, wasn't it?[Slight pause].Tilly Day: Yes, that's Geoff Faithful, Arthur Grant[?], that was the clapper boy...Sidney Cole: Who was he?Tilly Day: Um, Arthur Grant...Sidney Cole: Oh yes...Alan Lawson:&nb[…]
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