Search Results for: Arthur Graham
Dennis Main Wilson
[…]5. Johnny Speight and I – Johnny Speight the author, well established had been writing a very successful series for commercial television, called the Arthur Haynes Show, [Haynes was] one of Britain's leading old-fashioned stand-up variety comedians, which have been a huge success. It ran for 10 year[…]
Cynthia Moody
[…]nbsp; 1: Oh yes. So tell us who was there, because they’re a very distinguished lot. I remember Elton was in charge wasn’t he, Arthur Elton?  […]
Keith Ewart
[…]mmission, the church commissioners were not drafted. They wanted to give up the free. Yes, yes. And they did well at the free. They want to tear down Arthur Kings Road at this stage. Well, I've heard about that. Yes. I've been asked. I get all these appeals through the door. On the whole I ignore th[…]
Geoff Labram
[…] about the Rank Organisation. And I learned fascinating expressions like vertically integrated combine, which is what the Rank Organisation or the J. Arthur Rank Organisation, in those days was considered to be a good example. And I can remember culling any information I could about this and stuffin[…]
Philip Leacock
[…]ressive Film Institute. And Thorold Dickinson directed Spanish ABC, and Sid Cole Behind the Spanish Lines, and the two cameramen were Alan Lawson and Arthur Graham. And you were credited as Philip Leacock and Ray Pitt, as assistants. It seems strange to me that editors...Philip Leacock: Ray Pitt was[…]
HP0520 Betty Willingale – Transcript
[…] the rights, you know, on that. Yes, yes. And so Arthur Hopcraft, you know. It was great, Arthur Hopcraft did […]
Betty Willingale
[…]know, it seemed such a waste. Because I mean the scripts weren’t written of Tinker, Tailor, it was just the rights, you know, on that.Yes, yes.And so Arthur Hopcraft, you know. It was great, Arthur Hopcraft did that.Yes, yes. Mm ‘Old Men at The Zoo’?Old Men at The Zoo was, I loved that. That was Jon[…]
Joan Kemp-Welch
[…]ontinually find yourself thinking, "This could go", and then thinking, "it can't, it's got to go back". These were really difficult, I think, to cut. Arthur Miller's, A View from the Bridge , which I cut, he didn't alter anything, because I had to cut that down. He didn't alter anything, he accepted[…]
