Search Results for: Arthur Graham

[…] that was alright and there was a company that did three series and in and it's. 18 programs is something you and I had the best again because we did Arthur Hayne's in here. Terry Thomas and people. I know the latest series. After I moved on they did people who were still alive and it wasn't quite t[…]

[…]was sent to work with a threat called Terry Bishop and made a nice little film. It was an actor who became very famous in Hollywood afterwards called Arthur Hill and it's a small part and then that they'd also just made a film called Brandy for the parson. So I think about their second film I am wit[…]

[…]duced at the time?Erica Masters: No, but I'll tell you exactly when I knew. I knew it because there came a point at which we showed the film to Mr J. Arthur Rank. We all sat there and during the whole of the making of Genevieve I must say the studio couldn't have been more unhelpful, you know? They […]

[…]he must have been barely in his 30s when I first met him in 1940, if he was that he had been taken on by coda originally in the mid 1930s, to conduct Arthur polices music, for things to come from things to come. The story that I remember whether or not he said that God of being that kind of man that[…]

[…]Studio, which was very big news in those days. And I found myself working with Michael Gordon, on the ghost train or a remake of the ghost train with Arthur ASCII and stinker Murdoch. Michael left, after a week or two, I think he went to the crown Film Unit. And Along came a man called Charlie Saund[…]

[…]em. And when after the war, they got in touch with everybody, and they offered me a post back in the research laboratories, working with a man called Arthur ham who was again in charge of a division which was known as the applied photographic division. In other words, it was a part of the research d[…]

[…]ressive Film Institute. And Thorold Dickinson directed Spanish ABC, and Sid Cole Behind the Spanish Lines, and the two cameramen were Alan Lawson and Arthur Graham. And you were credited as Philip Leacock and Ray Pitt, as assistants. It seems strange to me that editors...Philip Leacock: Ray Pitt was[…]

[…] Cross and Bryan Langley, were our first victims, recorded by Arthur Graham who in 1933 as a devilmay- care eighteen-year-old at […]